Showing posts with label Aging. Show all posts
Showing posts with label Aging. Show all posts

Friday, October 30, 2009

Jack the Pumpkinhead

A few years before I was born, my father got his job working at Hallmark Cards. This, more than anything else, shaped my childhood.

Growing up, my family celebrated EVERY holiday. We always seemed to have more decorations than we knew what to do with. My mother, a very crafty and creative person, would make some of them, but the majority came from Hallmark. At the end of a season, my Dad would snag a bunch of decorations at a discount, and we'd use them the following year.

We had stuff for all of them--I mean all of them. When I first brought my wife "home for the holidays" she was surprised to find out that my family had a menorah (my family is not Jewish, but Hanukkah is a holiday so we had the proper paraphernalia).

Of all the holidays we celebrated, the best was Halloween. That was my Dad's favorite holiday (it was his mother's favorite, too). Every year our house was transformed in a bizarre wonderland, complete with rubber bats, screeching haunted houses, paper skeletons, and foam pumpkins. Our parents would take us out trick or treating and when we came back my sister and I would have a gift waiting for us, usually in our rooms, left by "Jack the Pumpkinhead."

There have been two periods in my life. One period where I was embarrassed by this because I didn't know anyone else that got a little present on Halloween from "Jack," and another period where I thought "Well Linus [from PEANUTS] seems clued in on this so it must be more common."

I think that my Dad probably got this strange tradition from Charles Schulz when he saw IT'S THE GREAT PUMPKIN CHARLIE BROWN when it aired originally in 1966 (when he was six). I saw this cartoon a few nights ago, and I must say...it's quite subversive. I'm not sure if my father (and many others) picked up on Schulz's rather ironic Christmasification of Halloween, but growing up my household believed in Jack the Pumpkinhead.

Like most things, my father took what existed and sort of mixed it with something else entirely. You see, Schulz's characters talk about "The Great Pumpkin," whereas my father insisted that our family was visited by "Jack the Pumpkinhead." Who the heck is that? Jack the Pumpkinhead is a character created by L. Frank Baum in his 1904 novel THE MARVELOUS LAND OF OZ (yes, THAT Oz...you know, the one where Dorothy goes with Toto). I have it on good authority that my Dad was probably exposed to this book as a child (because growing up we had a beat-up copy of this book amongst our books that probably belonged to him...or my mother).


Thus, "The Great Pumpkin" was "Jack the Pumpkinhead" in our house.

I can recall getting several presents over the years, but only one honest-to-God "Jack" encounter:

My parents brought us home from Trick of Treating, and my sister and I started to take our costumes off. Suddenly, from the kitchen we heard a commotion. Running, with our pants down at our ankles, my sister and I got to the kitchen just in time to see my father dash madly out the back door. Yelling, he ran all the way to our back fence--hot in pursuit of something.

Horrified and excited, we waited for him to slowly make his way back into the house. He appeared worn-out and disappointed.

"Oh man," my dad told us. "You missed it! I almost caught Jack the Pumpkinhead!"
What? You did?

"Yeah, I caught him in the kitchen and ran after him--but he got over the fence before I could catch him."

Really?

"I almost got him," he said. "I was this close to catching him...but he got away. I could hear him laughing at me..."

Parents (and future parents) take note: this stupid, obvious bit of theater was 100% believed by both myself and my sister Amber. That's the power parents adults have over children (wield it justly). My Dad is not Daniel Day-Lewis, and yet I was (and still am) in awe of his performance. For the longest time I not only believed in Jack the Pumpkinhead, but I was convinced that my father had nearly caught him!

My wife (for obvious reasons) grew-up in a Santa-free household, and would no doubt be horrified by this story. Her family has this "thing about lying to children," but you know what? All adults lie to children, in some for or another. And beyond entertaining us, the lie did nothing to Amber or me. I don't still believe in this Halloween-Santa. I'm not devastated when he doesn't show up, now that my Dad isn't putting trinkets on my pillowcase.

It was just something fun and sort of magical from my childhood.

Of course, as an adult I see the real magic at play--the swirling of pop culture inside the mind of a goofy, 20-something-year-old father...how he waited for us to lower our guards, then go running across the lawn. Whenever I wonder where it is I get this strange capacity to create things (be it a Grape-Flavored Tear Drop poem or cartoon sheep), I always remember Jack and my Dad.

Friday, October 23, 2009

Card Reader

At almost ninety years old, my great-grandmother doesn’t get out much. Instead, she relies on her family to do things for her. My Grandma Sharon, her only daughter and now the person with whom she lives, cooks for and takes care of her, while my father and great-uncle help out with the more technical and everyday issues that arise — things like insurance problems and TV repair. The responsibilities that fall upon my brother and me are of a simpler nature. Namely, we act as gophers, seeing as we have neither the inclination to do anything more or, in my case, the ability to understand things like Medicare documents. Rather, my brother, Matthew, and I run around to different places, picking up things like groceries or prescription medications, occasionally making the short trek up to our grandmothers’ house to bring in the mail and newspaper when no one is able to go out and get them.



My latest assignment from my great-grandmother, a smallish, white-haired woman named Inez, came back at the end of September, when her daughter’s birthday was just around the corner.



After she asked me if I could pick something up for her, she handed me a small white envelope with a folded piece of notebook paper and a small stack of cash. I didn’t open the piece of paper, remembering as how, several years ago, I’d been in a similar situation and had managed to make a complete ass of myself.



Back then, my great-grandmother had had me lean close to her so she could whisper in my ear what she had wanted me to pick up — again, for my grandmother’s birthday. All I could focus on was the particular aroma of her, that not-so-subtle smell of age mingled with liberal doses of Jovan Musk, and so I had only caught most of what she said.



When I stood back up, I thought I knew what she wanted me to buy, but in order to make sure, I repeated back to her what she had said.



In any other place this might’ve been okay, but as it were we were in my Grandma Sharon’s living room, and she was sitting right next to us. I watched my great-grandmother’s face slacken in surprise, and as she let out a slight gasp and looked at me with eyes that said, You imbecile, I felt myself grow smaller, like a turtle retreating into its shell.



This time there would be no ruined surprises, and so I left the paper folded, thinking that if I did take it out I might just read it out loud, word for word, in front of both of them.



After work the next day I drove out to the mall and picked out the various bottles of hand and body lotion I’d been tasked with procuring. I walked down to the other end of the building to try and find a greeting card. In passing shop after shop of trinket-peddling mom-an-pop stores employing teenagers who never seemed to look up from the text messages they were sending, I found myself before a Hallmark store.



This shouldn’t be too hard, I thought.



Before I stopped giving greeting cards to people, I was pretty fast at picking them out. My system was an efficient one: after finding the appropriate section for a birthday, holiday, or death, I would place myself before the selection and simply choose one at random. Sometimes things worked out and other times they didn’t, and although it was nice not having to wade through card after card, it was admittedly kind of sad losing so many friends after giving a Happy Birthday card with a picture of a girl to one of my guy friends, or, even worse, giving a grieving friend a Let’s Party! card some asshole had set down in the wrong section.



When I stepped inside the store it took no more than thirty seconds for me to feel out of place and more than a little uncomfortable. Awkward enough was the fact that I was the only man in the store, but I was carrying all my grandma’s lotions in a delicate white bag decorated with flowers and probably the most effeminate lettering one could ever imagine. Ordinarily that sort of thing wouldn’t bother me, but when the women around you look like they’ve just stopped in after their most bountiful pig slaughter or have donned some in-your-face God Loves You shirt, it doesn’t inspire the warm and welcoming feeling of inclusivity.



At least the store isn’t busy, I told myself, marching past pristine glass cases displaying overpriced chocolates and shelves holding decorative picture frames. There were maybe six or seven other customers there, plus the five workers I could see. The women shopping I was separated from by about ten to fifteen years, while the ladies stocking the floor and working at the cash registers looked to be well into their fifties and sixties. It felt odd being there. Not because they were women, but because everyone was so much older than me. They made me think of just how much time I’d wasted and all the things I’d yet to accomplish.



My English degree.



A finished novel.



Any reason to buy and wear a fine dinner jacket.



Were I to climb on top of a high-rise, perch myself on the edge of the roof, and threaten to jump, what might someone say to coax me down? I wondered as I searched the rows of cards for the birthday section. It was sad to admit, but it wasn’t like I had many proverbial irons in the fire, and so I was left feeling both small and insignificant, a failure of sorts except that I hadn’t really tried at much.



“Now hold on just a minute,” I told myself, suddenly thinking out loud. I tried to reason that there were things I was doing, tasks that I was trying to accomplish. But the best I could come up with was making it through all five seasons of The Wire, a television program about cops and drug dealers in Boston, or developing my appreciation for Joni Mitchell’s album Clouds, a collection of songs that, to this day, still makes me want to shoot myself in the head. Other than that, I was more or less drifting, and in all honesty, I thought, that was pretty pathetic.



Reading through the greeting cards didn’t really help either.



When I found the birthday section, I planted myself in the center of an aisle overflowing with bright pink signs, like I was standing before a giant rash. At first the notion crossed me that I could just do as I had before, and let luck and fate do the deciding. But then I remembered how my great-grandmother always fawned over an eloquent card, one that said exactly the right thing, and so I began leafing through them.



I must have been a sight: me, twenty-three years old, eyes sunken and tired after a day’s work, leafing through cards that read For Sister, From Sister and To My Goddaughter.



I started looking for and avoiding anything referring to mothers or sisters, and if I noticed my hand drifting toward something with the word “cousin” or “niece” I drew back like it might hold the plague. Instead, I tried to look for something flowery. Grandma Sharon could give my great-grandmother a card that simply read, You’re the Best! and she’d gaze at it, smiling distantly, as if remembering delicate moments, but if the card was one that gushed about moments together and lessons learned, she might break down and start crying. That was the kind of card she would want to give.



The verses inside the cards were all printed in delicate, elegant writing, as if pixies had calligraphed each and every one. Some of them were really quite beautiful to look at, but while the cards differed in content the meanings, more or less, stayed the same. “What would I have done without all the special, beautiful things you’ve done for me?” one card asked. Another read, “How can I thank you for all the magical moments we’ve shared?”



After ten minutes of looking I was skimming every other line. Each card was so sugary I felt worried I’d end up leaving the store with diabetes. Besides, I was tired and the fluorescent lights were starting to give me a headache. These cards were supposed to convey so much — all the heft and magnitude of how much the recipient meant to the giver — but all i could focus on was one question: Who are these cards based on?



What kinds of lives did the people who wrote these cards lead? True, I wasn’t a girl, but, being gay, I was the next best thing, and I didn’t think any daughter had those kinds of moments with her mother.



Looking at the cards, I was reminded of the feelings the women around me stirred up. If someone were to write a little blurb about me and all the special things I’ve done, I thought, they’d have to reach pretty far. I’ve never really done anything heartwarming, much less heroic or commendable.



“Great job playing that video game twice that one summer,” mine might say.



Or, “Thanks for all those times I thought you were going to do something special.”



I started moving through the cards, grabbing randomly and hoping that one would have something close to sensible. Feeling out of place here was bad enough, but to be confronted head-on about my obvious lack of value was too much.



Finally, I picked up a card with a little ribbon adornment. he background was a pine green color, and inside I read from a mother’s wistful point-of-view about the moments they had experienced together, the profundity and the power of them. After reading it once and then rereading it again to make sure it didn’t say anything completely stupid, I decided it would work. Grabbing its matching envelope, I made my way to the cash register feeling like someone on the run.



The woman who looked up at me from the cash register was short, at least a full foot and half below me, and from above her I could see the still-dark roots of her otherwise gray hair. She wore large glasses that made her smallish face seem exaggerated like a cartoon character’s, and as she went about ringing up the card I wondered if all of her possibilities were summed up somewhere in the rows and columns of heavyish single-folded paper.



“Ooh,” she said, picking up the card and setting it back down. She tapped it with her finger. “This one’s a good one. Pretty.”



“Thanks,” I said. I was in a hurry, but I meant it. It was nice, the feeling of accomplishment and recognition for having picked out a graceful, tasteful card. I felt as though I had succeeded at some difficult task.



But, in stepping away from the counter after the lady slipped my receipt into the little peach-colored bag, I caught a glimpse of the other customers, the ladies dressed in their God-fearing sweatshirts or their harshly-worn jeans. How foolish it was to think myself different from them, better even, I suppose, when I truly had nothing to show that might put me on a higher plane. On the way out, I noticed a small rack of cards with a sign above it. Blank, it read, and as I passed by the cards, empty like something someone had intended to start and finish, I realized that the cards right there, waiting, declaring nothing and able to boast even less, seemed to have been made just for me.

Friday, September 4, 2009

Squashing the Rebellion

I feel old at night. During the day, my body lets me do whatever I want, and usually without complaint. Kneeling down, bending over, picking things up: my body has learned it must do these things in the course of each day to keep the two of us from, say, starving. Every once in a while my knees will snap at me for trying to pick up a piece of paper, or my shoulder will pop with cruel laughter as I sit at my desk stretching. These little bumps in the road I can ignore.



At night, though, everything changes.



My legs give me no trouble, really. It’s my eyes and back that try hardest to ruin me, along with any number of other parts that lie in wait, ready for the revolt that we are all certain is one day coming. When it does, my body’s components will simply abandon their respective duties, and I will end up in a heap on a floor or a sidewalk, maybe lying draped like a blanket over my desk or slumped raggedly behind the wheel of my car.



After about eight-thirty or nine, my back starts to slack off. Usually I find myself slouched over like a hunchback at that time, and I have to constantly remind my erector spinae muscles not to give up just yet. It’s like giving a motivational speech to a crowd of sick, homeless women whose children have just been taken outside and shot. It doesn’t really work.



Depending on where I’m at and how well the talks are going between my back and me, a person might look and see an emboldened twenty-something man, chest forward and back arrow-straight; or, somewhere else — and more often than not — another person might think of me as a marionette, standing tall and slumping forward, back and forth again and again as if in the hands of a toddler.



To compound matters, my eyes start in with their issues not long after my back does.



“We’ve been working all day,” they seem to say. “We just need a break. These working conditions are atrocious. We might as well be working in Somalia, for God’s sake.”



I try to ignore them, and mostly things work out fine; they go back to doing their job, the insurrection stalled for another day, and all I have to worry about is not looking like I’m having back spasms.



Things like these usually happen at the movies, especially when it’s a late one or, when one is enticing enough, a midnight show.



When I go to late movies, I should know by now that I need a break sometime before seven o’clock. If I try to force myself through, my body starts to fail me. It’ll warn me with a yawn like a look that says, “Don’t push your luck, mister.” At the theater, to ward off sleep, I step up to the concessions counter and arm myself with an array of sugars and caffeine. To the worker, some sixteen-year-old kid who’s forced to wear puffy white shirts and caps stolen straight from a 1940s bellboy service, my order must appear intended for a small cluster of friends, but in actuality it’s all for me.



I force whoever is seeing the movie with me to carry a box of chocolate-covered mints, a soda cup the size of a football, and a licorice bag, while I cart around my gummy worms and a box of last-resort super sour candies in one hand. The other one, holding up a plastic cup of frozen coffee topped with whipped cream, shouts, “Screw you, man! This cup is freezing.”



As we leave the counter, I look at my compatriot and say, as if reassuring them, “Don’t worry. We can share.” This is a lie.



In the time between our arrival and the dimming of the lights, I occupy myself with conversation. There’s no topic I won’t talk about, from the state of poverty in the United States to vaginal discharge. It’s all fair game. And if I don’t know anything factual to share I’ll make something up. Anything to keep me awake. With the candy boxes and bags built up around me like a fortress, I feel safe against the world, but then I realize, often just as the lights reduce to orange embers in the ceiling and along the walls, that the threat comes not from without, but from within.



I feel a yawn begin to rise.



It is then that I start to gorge.



The people around me must hate me, then, as the previews are reduced to simple moving pictures against the din of ripping cardboard and tearing, crumpling plastic. The slurp of an empty frozen coffee drowns out an actress’s tagline for the newest romantic comedy, and women throughout the theater ponder just how valuable their purses would be as weapons to hurl in my direction. All I can think about, though, is that my body will give up — will, in fact, turn on me and start to sabotage everything it and I have gone through in order to buy our ticket, that little ten-dollar scrap of paper now crumpled in my pocket.



The coffee gone, I turn to the soda, and as the previews give way to the feature, I catch glimpses of men, now joining in on the beams of hatred pointed solely at me, silently pummeling fists into open palms. They aren't throwing anything, which I count as a plus, but as I weigh that against the idea that maybe they're saving their anger for outside the theater, my bladder speaks up, in a threatening voice pulled straight from a horror film: “Remember me?”



Throughout the years, I have worn holes in my shoes from the incessant kicking of seats before me, crossing and uncrossing my legs. Finally, at a lull in the movie, I stand up and make my way to the bathroom. As I stand there relieving myself, the thought does not escape me that if it really wanted to, my body could leave me right here, like a dead vagrant at the base of a urine-stained toilet. My eyes and back and the rest of them don’t say anything, and that’s the most unsettling part. I hurry to finish, and my fingers zip up so quickly that I feel sharp metal teeth where I least care to feel such things. I threaten my hands with scalding hot water, but in the end I back down, knowing that it’ll only cause strife between me and my skin, who claims to be a pacifist but really just doesn't give two shits in a woods about what goes on with the rest of us.



Back in the theater, I make my way to my seat. From that moment, I can last approximately twenty minutes before things start up again; my eyes will grow heavy, my back will slouch. Against my will I’ll sink back into the chair cushions. And when I wake up ten or fifteen minutes later I realize that they have won. The rebellion has overthrown me for now. So, I settle into my defeat, trying not to listen to the cheers and jubilation that come from each of my body’s parts, no longer paying attention to the movie but instead shifting in my little mound of empty boxes and used cups, an ousted king in a crumbling cardboard castle. Yawning, I begin a dream of redemption and reclamation, hearing my voice, as if from an increasing distance, whispering, Next time. Next time. Next time.